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Rabindranath Tagore ( (listen); born Robindronath Thakur, 7 May 1861 – 7 August 1941), and also known by his sobriquets Gurudev, Kabiguru, and Biswakabi, was a polymath, poet, musician, and artist from the Indian subcontinent. He reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful verse" of Gitanjali, he became in 1913 the first non-European to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. He is sometimes referred to as "the Bard of Bengal".

A Brahmo from Calcutta with ancestral gentry roots in Jessore, Tagore wrote poetry as an eight-year-old. At the age of sixteen, he released his first substantial poems under the pseudonym Bhānusiṃha ("Sun Lion"), which were seized upon by literary authorities as long-lost classics. By 1877 he graduated to his first short stories and dramas, published under his real name. As a humanist, universalist, internationalist, and ardent anti-nationalist, he denounced the British Raj and advocated independence from Britain. As an exponent of the Bengal Renaissance, he advanced a vast canon that comprised paintings, sketches and doodles, hundreds of texts, and some two thousand songs; his legacy also endures in the institution he founded, Visva-Bharati University.

Tagore modernised Bengali art by spurning rigid classical forms and resisting linguistic strictures. His novels, stories, songs, dance-dramas, and essays spoke to topics political and personal. Gitanjali (Song Offerings), Gora (Fair-Faced) and Ghare-Baire (The Home and the World) are his best-known works, and his verse, short stories, and novels were acclaimed—or panned—for their lyricism, colloquialism, naturalism, and unnatural contemplation. His compositions were chosen by two nations as national anthems: India's Jana Gana Mana and Bangladesh's Amar Shonar Bangla. The Sri Lankan national anthem was inspired by his work.

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Gitanjali

Tagore er Medlem af Brahma-samaj, og i hans Kunst genfindes derfor hovedsagelig Vedantaens Tro på een uendelig Gud og en udødelig Menneskesjæl. Af hans stærke Følelser og Længsler gøres disse Fortidens Tanker levende igen og han indgyder urgamle Drømme sin Ild og Glød. Forestillinger og Idealer fra Upanishaderne får i hans Digtning et Mæle, som gør dem forståelige og levende ikke blot for det moderne Bengalens Folk, men for enhver, som har Øren at høre med. Det er Vedantaens Brahman, der er den Gud, som han finder i „Hjertets inderste Gem” og hvis „levende Berøring” han føler på alle sine Lemmer. Og når han skildrer sig selv siddende ved Guds Side eller hvilende ved hans Fod, i stille Andagt og Beskuen, så udtrykker han deri en lignende Opfattelse af Guddommens Forhold til Mennesket, som den, der antydes gennem en Lignelse i en af Upanishaderne: „To skøntbefjedrede gode Venner omsluttede det samme Træ; den ene spiste dets røde Bær, den anden så stille derpå.”
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Udgivelsesdato15 maj 2021
Udgivet afPipl Press
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ISBN epub9788740446869